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08th November 2014: MACKx vs. Our Hobby Is Different vs. Talking Maschines @ Griessmühle, Berlin (Germany)

October 31, 2014
 

Griessmühle

 
 

Event:
MACKx vs. Our Hobby Is Different vs. Talking Maschines @ Griessmühle

 

Date & Time:
08th November 2014 at noon

 

Location:
Griessmühle, Berlin (Germany)

 

Line-up MACKx:
Hanshee
Skipson
Hander
Fis Hermann

 

Line-up Our Hobby Is Different:
Credit 00
Phuong Dan
Tussn
Goolyk live
Wahid
Sören Miehe
Bastus

 

Line-up Talking Maschines:
Alex Cortex live
Sarah for Sure
Phillipp Melon
Lenzian Kowski

 

Admission fee:
5 EUR ?

 

Info:
Just Music

Event @ Facebook
Event @ Resident Advisor

 

DJ Sets:
Alex Cortex – “KilleKill Podcast #08

Philipp Melon – “C902″

Lenzian Kowski – “Ebertypoint Nov. 2012″

Credit 00 – “Digital Tsunami 044″

Tussn & Phuong-Dan – “Gatto Musculoso Listening Session – 002 at Golden Pudel Club”

Goolyk – “Live @ Plateau Gallery (16.5.14)”

 

Videos:
Alex Cortex – “Future Acid”

 

Websites:
Griessmuehle

 
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out soon: Various – Unit EP [Index Marcel Fengler]

October 30, 2014
 

Artist:
Various

 

Title:
Unit EP

 

Label:
Index Marcel Fengler

 

Cat#:
IMF04

 

Release Date:
November 2014

 

Format:
12″ & digital

 

Tracklist:
A1)
Marcel Fengler
Scion

A2)
Thomas Hessler
The Escaper

B1)
Echoplex
The Relapse

B2)
VRIL
Thronwagen

 

Press Info:
The Index expands into its fourth chapter with a rich collection of tracks from key label artists Marcel Fengler, Thomas Hessler, Echoplex and VRIL.

Label co-ordinator Marcel Fengler drops ’Scion’ on the A1, a non-typical, deeper House-influenced jam with a floating, mind-melting soft-focus. Abstract, crafty Techno meets classic Sunday-afternoon vibes in this unique offering.

After his wonderful 4-tracker on IMF003 promising talent Thomas Hessler continues his run with the melodic and stark journey track, ‘The Escaper’. What is initially shrouded in mystery and melancholy soon opens up into a funky, US vs. UK-styled workout, snapping snares and reduced percussion driving the meandering synth theme.

Echoplex, who graced IMF002, also returns with a suitably trippy and percussive number, entitled ‘The Relapse’. Building into a bleepy, freaky, acidic killer, complete with some cleverly deployed rave-vocal samples, filtering in and out of the fluffy aesthetic, the long-serving Polish master is still on top form.

Going for impact and stand-out sound design, VRIL offers ‘Thronwagen’ – a mesmerising arrangement of synth layers, classic Techno stabs and overlapping themes. Already well-known for his powerful drums and bottom end control, this more musical piece goes a long way to showcase some of the German producer’s many other talents.

 

Listen:

 

Specials:
Marcel Fengler – “Invite’s Choice Podcast 200″

Thomas Hessler – “NovaFuture Blog Mix February 2013″

Echoplex – “Live @ Berghain Club 2011″

VRIL – “Live at Stattbad Wedding 2014″

 

Recommendations:
“Perception EP” by Thomas Hessler
“Sphinx EP” by Marcel Fengler
“The Soft Reaction EP” by Echoplex
vinyl “Berghain [05]” incl. Vril track

 

Buy Vinyl:
soon

 

Buy Digital:
soon

 

Websites:
Echoplex
Thomas Hessler
Marcel Fengler
Index Marcel Fengler

 
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out now: Henning Baer | Milton Bradley – A Shared Objective [K209]

October 29, 2014
 

Artist:
Henning Baer | Milton Bradley

 

Title:
A Shared Objective

 

Label:
K209

 

Cat#:
K209-4

 

Release Date:
September 2014

 

Format:
12" & digital

 

Tracklist:
A1)
Henning Baer
14Vac

A2)
Henning Baer
Sleeper

A3)
Henning Baer
Duality

B1)
Milton Bradley
Divergence

B2)
Milton Bradley
Beat 992

 

Info:
The fourth transmission from K209, the Berlin-based label from Grounded Theory founder Henning Baer and Do Not Resist The Beat! head Milton Bradley, showcases the individual production talents and unified collaborative strength of two of Berlin’s leading techno artists.

Distributed exclusively via Hard Wax since its founding in 2011, K209 releases music from Baer and Bradley in various guises. With Baer’s “Sleeper” taking cues from hiphop’s boom-bap and Bradley’s “Divergence” showcasing stringy, heads-down techno, K209-4 highlights the pairs ongoing skill in merging multiple experimental, industrial, and traditional electronic forms. Equally memorable are the gasping electro of Baer’s “14 Vac,” and the stringy broken beats of Bradley’s “Beat 992.”

K209-4 builds in intensity and tempo over five tracks, ultimately feeling like the ideal vinyl representation of a well-paced Grounded Theory club night.

 

Listen:

 

Videos:
Milton Bradley – “Divergence “

Henning Baer – “Sleeper”

Videos created by the29nov films.

 

Specials:
Milton Bradley – “Soma Radio 083″

Henning Baer – “Soma Radio 054″

 

Recommendations:
first release on K209
second release on K209, “Fierce Hundred EP” by Henning Baer
third release on K209

 

Buy Vinyl:
Hardwax
decks.de
deejay.de
more soon

 

Buy Digital:
Hardwax
JunoDownload
Boomkat
more soon

 

Websites:
Henning Baer
Milton Bradley
K209

 
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[Special]: Warm Leatherette – A Song by Daniel Miller’s The Normal

October 28, 2014
 

Introduction:
This special is about a song… one with an important impact on the electronic music you know nowadays.

It’s about “Warm Leatherette” by The Normal. The Normal was a project by Daniel Miller used to release his single “T.V.O.D / Warm Leatherette”.

The lyrics of “Warm Leatherette” reference J.G. Ballard’s novel “Crash” (1973), the music can described as electronic Post-punk with industrial sounds.

The front cover shows a crash test dummys sitting behind the steering wheel of car, on the back side of the 7 inch he put his own address and the sentence “this is a mute record”.

Impressed by the do-it-yourself attitude of the Punk scene, he wanted to release it by himself and without a label. So Daniel Miller offered it to a few independent music shops, including Rough Trade in London, where it would be played to customers.

So the legendary label Mute Records was founded….

The track became a small underground hit and has been covered by numerous artists. So we show you some of these cover version … right after a fan video of the original track.

 

Videos / Audio:
The Normal – “Warm Leatherette”


Laibach – “Warme Lederhaut”


Ceven Knowles – “Warm Leatherette”


Velocity Star ft Rose McDowall – “Warm Leatherette”


Trent Reznor, Jeordie White, Peter Murphy – “Warm Leatherette”


Chicks On speed – “Warm Leatherette”


Lost Children – “Warm Leatherette”


Ditto – “Warm Leatherette”


Prayer Tower – “Warm Leatherette”


Blizzfrizz – “Warm Leatherette”


Die Tödliche Doris – “Warm Leatherette”


Grace Jones – “Warm Leatherette (Live 1982)”


Suzi Quatro – “Warm Leatherette”


NON – “Warm Leatherette”

 

Websites:
Buy the 7 inch at MuteBank
Daniel Miller’s DJ dates @ NovaFuture Blog
Mute

 
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out soon: Anthony Parasole – My Block EP [Ostgut Ton]

October 27, 2014
 

Artist:
Anthony Parasole

 

Title:
My Block EP

 

Label:
Ostgut Ton

 

Cat#:
O-TON 84

 

Release Date:
10th November 2014

 

Format:
12″ & digital

 

Tracklist:
01)
My Block

02)
Bizarre

03)
Typhoon

 

Press Info (English):
New York City-based DJ, producer and The Corner label owner Anthony Parasole makes his debut on Ostgut Ton with three new percussive-heavy Techno tracks on the My Block EP.

“Percussive music, that’s my ground, my foundation but I am missing the feeling of tribalism in Techno today. I’ve been using a lot of different drum techniques over the past years, implementing them to Techno. The record ‘Quickstrike’, that I’ve released on my own label The Corner, was an edit record of an old sample-based house release. To me this was a test if people would gravitate to this sound and it was the biggest record on The Corner so far. From there I knew I could do this and two tracks off my new EP on Ostgut Ton work like this: ‘Typhoon’ features bongos, congas and all kinds of skin percussion, ‘My Block’ uses a different kind of percussive color.

HipHop in general and the Cut-up technique in particular have also heavily inspired me as a producer. During the 1990s music seemed really profound – a little bit tougher too. I listened to a lot of HipHop when I was writing the music for this new release and applied its methods to my own music. Many producers at that time were very forward-thinking. Wu-Tang Clan’s RZA uses a sixteenth note technique that made me realize that I wanted this kind of hypnotizing sound to work in a Techno format. Another big influence were late 1970s Horror movie trailers. I was watching them while I was working on ‘Bizarre’ in the studio, I was inspired to capture the eerie tones and textures of those short clips in ‘Bizarre’.

At the end of the day I work within certain parameters. Everytime I make a sample, I drop it into my personal folder – so all my music has a similarity of up to 50 or 60%. Maybe I’ll use the same drumkit or kickdrum. I apply limitations to myself, but doing this also gives me my own voice. When I was learning how to produce, Levon Vincent taught me to make my own drum kit, to make my own synth kit and to work within this. Sample-based music is inspiring, and creating something out of found sound is very interesting to me. I think a sound signature is something that will always refine ones sonic pallet and skill set.”

– Anthony Parasole, Berlin, September 2014 –

 

Press Info (German):
Der in New York City lebende DJ, Produzent und The Corner-Labelbetreiber Anthony Parasole macht sein Debüt auf Ostgut Ton mit drei neuen, perkussionslastigen Techno-Tracks auf der My Block EP.

„Perkussive Musik, da liegt mein Fundament, aber dieses Gefühl von Tribalismus fehlt mir heutzutage im Techno. Ich habe in den letzten Jahren viele verschiedene Drum-Techniken verwandt und sie mit Techno zur Anwendung gebracht. Die ‚Quickstrike’-Platte, die ich auf meinem Label The Corner veröffentlichte, war ein Edit eines alten, Sample-basierten House-Tracks. Für mich war das ein Test, ob sich die Leute von diesem Sound anziehen lassen würden und es wurde zur bisher größten The Corner-Veröffentlichung. Zwei Tracks auf meiner Ostgut Ton-EP funktionieren genau so: In ‚Typhoon’ gibt es Bongos, Congas, alle möglichen fellbasierten Percussions. ‚My Block’ benutzt eine andere Art perkussiver Klangfarbe.

HipHop im Generellen und Cut-up im Speziellen waren auch eine große Inspiration für mich als Produzent. Während der 90er Jahre wirkte Musik sehr tiefgründig – und auch ein bisschen härter. Ich hörte viel HipHop während der Arbeit an diesem Release und wandte dessen Methoden auf meine eigene Musik an. Viele Produzenten jener Zeit waren sehr vorausdenkend. RZA vom Wu-Tang Clan benutzte eine Sechszehntel-Notierung die mir die Augen dafür öffnete, diesen hypnotischen Sound in einem Technoformat funktionieren zu lassen. Ein anderer großer Einfluss waren Horrorfilm-Trailer der späten 70er. Davon schaute ich viele an, als im Studio an ‚Bizarre’ arbeitete — ich wollte die gespenstischen Klänge und Strukturen dieser kurzen Filmclips in ‚Bizarre’ einfangen.

Ich arbeite innerhalb bestimmter Parameter, jedes meiner neuen Samples werfe ich in meinen persönlichen Ordner – all meine Musik hat also ungefähr 50 bis 60 Prozent Gemeinsamkeiten. Vielleicht benutze ich mal dasselbe Drumkit oder die gleiche Kickdrum. Ich limitiere mich selbst, aber dadurch schaffe ich mir meine eigene Stimme. Als ich anfing zu produzieren, lehrte mich Levon Vincent mein ganz persönliches Drumkit oder Synthkit zu bauen – und dann innerhalb dieses Systems zu arbeiten. Sample-basierende Musik ist inspirierend und etwas aus gefundenen Klängen zu erschaffen, finde ich sehr interessant. Eine musikalische Klangpalette wird immer die eigene Handschrift und Fähigkeiten verfeinern.“

– Anthony Parasole, Berlin, September 2014 –

 

Listen:

 

Special:
CLR Podcast 275

 

Recommendations:
Dettmann’s “Seduction EP” on Ostgut Ton incl. Parasole remix
Answer Code Request’s “Breathe EP” on Ostgut Ton
Norman Nodge’s “The Happenstance EP” on Ostgut Ton

 

Buy Vinyl:
Ostgut Ton
deejay.de
decks.de
Juno
HHV
Boomkat
Forced Exposure
Phonica Records
Norman Records
Red Eye Records
more soon

 

Buy Digital:
Boomkat
JunoDownload
more soon

 

Booking:
Ostgut Booking

 

Websites:
Anthony Parasole
Ostgut Ton

 
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31st October 2014: Paranoia @ ://about blank, Berlin (Germany)

October 24, 2014

 

Paranoia

 
 

Event:
Paranoia

 

Date & Time:
31st October 2014 at 11:59pm

 

Line-up:
Gesloten Cirkel live
I-F
Alienata
I/Y
DJ Flush
Amnesie
Mo Probs
+ guests

 

Location:
://about blank, Berlin (Germany)

 

Admission fee:
12 EUR

 

Info (German):
Moments, Killekill und Transitions haben sich für eine sehr besondere Gelegenheit zusammengetan und präsentieren am 31.10. im About:Blank GESLOTEN CIRKEL live.

Mit seinem hyperdarken Acid-Wave-Synth-Electro hat er große, große Wellen geschlagen in der letzten Zeit. Insbesondere mit seinem jüngst erschienenen Album auf I-F’s Label Murder Capital.

Seine Gigs sind extrem rar gesät. Alle Welt feiert ihn, aber spielen mag er nicht so gerne. Underground as can be.

Wir sind mehr als stolz, sowas auf die Beine gestellt zu haben. Insbesondere mit Support vom Labelchef I-F selbst, dessen Name alleine ja eigentlich auch schon für feuchte Augen und ausreichend Paranoia reichen sollte.

Veranstaltung @ Facebook
Veranstaltung @ Resident Advisor

 

Info (English):
Black eyes and white lights. Darkness crawling into my head. They are coming after me. Electric paranoia

Event @ Facebook
Event @ Resident Advisor

 

Listen:
I-F – “@ Krake Festival 2013″

Alienata – “Room 122 – NovaFuture Blog Mix”

I/Y – “Techno Import Podcast # 004″

DJ Flush – “@ Suicide Circus”

Mo Probs – “Pan Mix”

Gesloten Cirkel -“JunoPlus Podcast 38″

Juno Plus Podcast 38 - Gesloten Cirkel by Juno Plus on Mixcloud

 

Videos:
Gesloten Cirkel – “Vader”

I/Y – “0000.004”

Kat Channel (Alienata + Snuffo) – “Second Floor (Ike Release Remix)”

Videos created by the29nov films.

 

Websites:
KilleKill
Moments
Transitions
Paranoia
://about blank

 
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out soon: Go Hiyama | I/Y – Ink #2 [Inkblots Records]

October 23, 2014
 

Artist:
Go Hiyama | I/Y

 

Title:
Ink #2

 

Label:
Inkblots Records

 

Cat#:
INK002

 

Release Date:
24th November 2014

 

Format:
12″

 

Tracklist:
A1)
Go Hiyama
Recur

A2)
Go Hiyama
Prop

B1)
I/Y
Thesys 0000.001

B2)
I/Y
Thesys 0000.003

 

Press Info:
The second release of Inkblots involves three great artists deeply active into the international techno scene: the japanese Go Hiyama and the Berlin based duo I/Y.

On Side A, Go Hiyama’s first track ‘Recur’ delivers sinister atmospheres matched with a tough kick and industrial bleepy elements. Slow and paranoic drones get in and out contributing to enlarge the sound perception. The second track ‘Prop’ introduces elegant hi-hats and strident synths. A captivating kick perfectly embraces the shrill synths waving together with the sharp drum; what remains of the first side is just tense ambients, forewarning the journey is not over.

Side B smells like a dark club firing up, indeed I/Y’s aim is not different at all. ’Thesys 0000.001’ debuts with a thin bassline and distorted grave surroundings. The track evolves with clean slap hats sound in an empty echo chamber. Deep timbres rise and fall, turning the entire route gently aggressive. The second track is an IDM experiment which keeps a trippy approach and the clarity of claps and hi-hats. Solid as the first one, ‘Thesys 0000.003’ sets itself as an hypnotic but pleasant moment where suspicious fragments quickly appear and disappear: a sparkled trip to be enjoyed anytime but not by anyone.

 

Listen:

 

Specials:
Go Hiyama – “Erratic Podcast 77″

I/Y – “Invite’s Choice Podcast 197″

 

Recommendations:
I/Y002 on I/Y Music
I/Y001 on I/Y Music
“0000.030” on Fracture

 

Buy Vinyl:
soon

 

Booking:
Bonissimo Productions for Go Hiyama
Unbroken Booking for I/Y

 

Websites:
Go Hiyama
I/Y
Inkblots

 
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out soon: Charlie Cunningham – Outside Things EP [Outset Records]

October 22, 2014
 

Artist:
Charlie Cunningham

 

Title:
Outside Things EP

 

Label:
Outset Records

 

Cat#:
tba

 

Release Date:
17th November 2014

 

Format:
vinyl & digital

 

Tracklist:
01)
Outside Things

02)
Plans

03)
In One Out

04)
Lights Off

 

Press Info (English):
Oxford based songwriter Charlie Cunningham has announced his eagerly anticipated debut EP ‘Outside Things’ will be released on 17th November on 12” and digital download.

‘Outside Things’ beautifully captures his sound, music that has won him early support from the likes of Zane Lowe and earned the position of Blogger’s Choice 2014 at BBC Radio 1. Written on nylon-stringed guitar, he combines heartfelt lyrics with a rhythmic and percussive style – a style honed with two years in Seville. And with an EP containing some of the best acoustic tracks you will hear this year, he is set for a run of UK & Europe live dates with King Creosote and Mighty Oaks in the coming months.

The title track is written from the perspective of a newly born baby, longing for the security of its mother, ‘Outside Things’ exposes a tenderness and sense of longing that runs throughout the four tracks. His songs, laden with delicate flourishes and intricate melodic turns and moments of stark introspection, feel both expansive and intimate. His vocals and lyrics feel immediate and familiar but reward further listening with a deeper understanding of what his work is striving towards.

In conjunction with the release, Charlie Cunningham will be touring throughout the UK and Europe with King Creosote and Mighty Oaks, including a London show at Oslo in Hackney on Tuesday 25th November.

 

Press Info (German):
Songwriter Charlie Cunningham kündigt die Veröffentlichung seiner lang erwarteten Debüt EP an. „Outside Things“ wird am 14.11. als 12-Inch und digitaler Download veröffentlicht.

„Outside Thing“ fängt die Atmosphäre von Cuninghams Folk-Miniaturen perfekt ein, zu Recht trägt er bereits jetzt den Titel „The Blogger’s Choice 2014“ bei BBC Radio 1. Auf einer klassischen Konzertgitarre geschrieben, entwickelt Cunningham einen so noch nicht gehörten, perkussiven Stil, in dem nicht zuletzt ein zweijähriger Aufenthalt in Sevilla mitschwingt.

Zum Release gibt es bereits einen Schwung Konzerte, der ihn im Vorprogramm von King Creosote repektive Mighty Oaks durch Europa führt. Bitte zeitig erscheinen!

 

Listen:
soon – some stuff streamed below

 

Full Track Streaming:
“Outside Things”

“Lights Off”

 

Videos:
“Outside Things (Unreleased Acoustic Version)”

“Breather (In Session at The Great Escape 2014)”

 

Buy Vinyl:
soon

 

Buy Digital:
soon

 

Websites:
Charlie Cunningham

 

© Photo by Louisa Stickelbruck
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out now: Kobosil – RK1 [RK]

October 21, 2014
 

Artist:
Kobosil

 

Title:
RK1

 

Label:
RK

 

Cat#:
RK1

 

Release Date:
October 2014

 

Format:
vinyl & digital

 

Tracklist:
A1)
Head

A2)
1018818

B1)
A15

B2)
Polyheme

 

Info:
new release by Kobosil after records on Ostgut Ton’s sublabel Unterton and Marcel Dettmann’s label MDR.

 

Listen:

 

Special:
Slam Radio 097

 

Recommendations:
Kobosil remixed Barker & Baumecker for Ostgut Ton
“Contact EP” on Unterton
“MDR10″ on MDR
first Kobosil EP

 

Buy Vinyl:
Hardwax
Juno
deejay.de
more soon

 

Buy Digital:
Hardwax
more soon

 

Booking:
Ostgut Booking

 

Websites:
Kobosil

 
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out soon: Einstürzende Neubauten – Lament [Mute Records, a BMG company]

October 20, 2014
 

Artist:
Einstürzende Neubauten

 

Title:
Lament

 

Label:
Mute Records, a BMG company

 

Cat#:
tba

 

Release Date:
07th November 2014

 

Format:
CD, LP & digital

 

Tracklist:
01)
Kriegsmaschinerie

02)
Hymnen

03)
The Willy – Nicky Telegrams

04)
In De Loopgraaf

05)
Der 1. Weltkrieg
(Percussion Version)

06)
On Patrol In No Man’s Land

07)
Achterland

08)
Lament: 1. Lament

09)
Lament: 2. Abwärstsspirale

10)
Lament: 3. Pater Peccavi

11)
How Did I Die?

12)
Sag Mir Wo Die Blumen Sind

13)
Der Beginn des Weltkrieges 1914 (Dargestellt Unter Zuhilfenahme eines Tierstimmenimitators)

14)
All Of No Man’s Land Is Ours

 

Press Info (English):
The album version of LAMENT should be heard as a studio reconstruction of a work primarily designed to be performed live, rather than an official new Einstürzende Neubauten LP proper.

In truth, the piece can only be fully realised, as well as best experienced, in its physical embodiment, performed on or by founding member Andrew Unruh’s gigantic instruments and noise generating devices that visually evoke the horrors the work describes or embeds in the sounds they conjure from the filth and terror of the industrialised 20th century world at war with itself.

But in fulfilling what at first appears to be a surprise commission for such a formidable longtime outsider group, Einstürzende Neubauten transformed the earthy, idiosyncratic contents they mined from academic, state, music hall and internet archives with the help of their two researchers into a richly complex cycle of original and cover songs and performance pieces.

The music often originated in LAMENT’s storytelling needs, be it in terms of sounds used or compositions structured along First World War flow charts or scored from calendars of the involvement of the 20 plus countries embroiled in it. The way LAMENT plays off pre-existing and composed materials, pieces clipped together from historical records next to direct cover interpretations, or indeed their Frankenstein like construction of an ur-anthem/national hymn delivers a differently angled history of the war.

Finally, LAMENT opens Bargeld’s case that the First World War never ended – the interwar and postwar periods being essentially pauses for breath as the great military powers carry on their conflict at some remove in faraway wars fought by proxy.

 

Press Info (German):
Die Einstürzenden Neubauten erstellten im Studio mit ihrem neuen Album “LAMENT” ein musikalisches Werk zum Ausbruch des ersten Weltkrieges vor 100 Jahren, das am 8.November 2014 in Diksmuide, Belgien uraufgeführt wird. Mit diesem Werk wird die Band ihre explizit in der Tradition der Avantgarde stehenden Techniken mit diesem ersten, die gesamte Welt erschütternden Weltereignis verknüpfen.

Dazu fanden umfangreiche Recherchen von Ton-Aufnahmen aus den Jahren 1914-1916 von Kriegsgefangenen aus aller Welt (aufgenommen in einem der ersten großen Lager in der Nähe Berlins) aus dem Lautarchiv der Humboldt-Universität Berlin und dem Deutschen Rundfunkarchiv statt. Zudem wurde umfangreich Material im Militärhistorischen Museum Dresden gesichtet und gehört, das ebenso in die Komposition eingeflossen ist.

Es werden musikgeschichtliche Verbindungen von zwei der ältesten musikalischen Formen, dem “LAMENT”, einem Klagelied und der “Motette” eines flämischen Renaissancekomponisten, der darin die biblische Geschichte vom verlorenen Sohn behandelt, zu den Tondokumenten der Kriegsgefangenen geknüpft und verarbeitet.

Auch die Musik der legendären “Harlem Hell Fighters” der ersten afroamerikanischen Kampftruppe, die im 1.Weltkrieg erstmalig zum Einsatz kam, als diese von den Amerikanern an die Franzosen zwecks Verstärkung „ausgeliehen“ wurde, wird wiederentdeckt und erfährt eine späte Anerkennung.

Das Instrumentarium der Neubauten aus Stahl, Stimme, objets trouvés und innovativster Technik wird hierfür mit einem Streicher-Ensemble erweitert. Dies wird kein Konzert über den 1. Weltkrieg sondern eine Komposition, die sich aus dem Themenkomplex herausschält: “erst muss man Platz schaffen, damit etwas Neues entstehen kann” (Blixa Bargeld).

 

Listen:
at Amazon GER

 

Commercial Streaming Services:
soon

 

Buy CD:
Amazon GER
Amazon FR
Amazon ES
Amazon IT
Amazon UK
WOM
Rough Trade
PopOnaut
more soon

 

Buy Vinyl:
Amazon GER
Amazon FR
Amazon ES
Amazon UK
WOM
Rough Trade
PopOnaut
more soon

 

Buy Digital:
more soon

 

Websites:
Einstürzende Neubauten
Mute Records, a BMG Company

 

© Photo by Mote Sinabel
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